My Friends are Doing Cool Stuff: Nic Vargus Podcasts about Twitter

Nic was something of a phenomenon in the Whitworth English department - he was getting paid to write stuff. He was freelancing articles about tech and video games while the rest of us were just completing homework assignments. He's talented and driven and energetic. He'd keep after editors until they'd let him write for them.

After he graduated, he did some things that I'm hazy on. (I'm, number one, not great friends with him. And, number two, I feel like his career trajectory is genuinely difficult to keep track of.) Writing related, tech related stuff. Now he works for Mac Something - it's impressive whatever it is - and lives in San Francisco.

What I do know is that he and his friends have started doing a podcast, and I listen to a lot of podcasts. (I'm at my desk eight hours a day, and my work doesn't require all of my brain. So I listen to stuff on the internet almost all day. I'll do a run-down, sometime, on fantastic stuff to listen to.) It's called "The Only Podcast in the World", and you can find it at this link: http://theonlypodcastintheworld.tumblr.com/

As of this writing, they only have three episodes (episodes zero through two). To some extent they're still figuring out who they are as a podcast and what they want to be about, but for now they've been talking a lot about twitter. (They've forayed a bit into LinkedIn, but I'm not interested in that.) They're expressing their twitter theories and experimenting with unconventional ways to get more followers.

One of my favorite bits has been Dean's strategy of tweeting very little in order to get more followers on the rational that people will enjoy his "nice quiet feed." Another has been Nic's expressed satisfaction at the number of twitter followers he has now: "I have enough followers that I can tweet a question or thought and get responses from a diverse group of people. Because otherwise what's the point of Twitter? It's just to be able to hear people who aren't yourself."

That's why I like Nic. He's an advocate of a lot of stupid stuff - like standing on street corners and asking for twitter followers via cardboard sign - and will do whatever and be brazen about it, but he's also a pretty good thinker and has good ideas. He's worth watching for, is what I'm saying.

Rewing the Day

Here's some stuff Rachel Ewing is doing. (We're engaged to be writing partners.) She gives herself a pretty good introduction in her vlog so I won't do that much. I would like to say that the first time we bonded was in first grade over rollerblades, literally.

(Rachel vlogs like I pray - aware of talking to something large and mysterious and/or to myself.)

(That one was particularly great.)

 (A potentially helpful clarification for that last video is that the phone is in the hamster ball.)

Choosing Not to Render

Jessica was always the better artist. I used to think this was weird because my mom would get commissioned to do murals and sets and costumes for church and local high schools. So why was Jessica better at art than me? Wasn’t this stuff genetic?

By high school, Jessica’s paintings and drawings were winning awards. She was included in this regional young artists show called “Wunderkind,” and her work was shown off in galleries. I’d go to see them and read the artist statements, by her and the others. It was the first time I seriously thought about art – what it was and what the people thought who made it.

She could render pretty much anything. It became a kind of parlor trick in church vans and on family road trips; Jessica would have a pad of paper and a pen (She drew in pen!) and people would call out different requests of things, and she’d draw them from memory. Everybody knew she would grow up to be an artist.

Jessica got into an elite fashion school in New York, attended for two years, quit, and hasn’t done much art in the five years since.

Jessica in art school

She doesn’t want to be an artist, not as a job – she doesn’t like the solitude of it or the pressure to produce (and produce without spontaneous inspiration). Art makes her tired; she can’t do it all day. And, she says, there’s a difference between being good at something and being passionate about it.

She’s been talking a lot about feminism and social justice. “I could sift through boring documents all day and be excited about it if I was working towards social change,” she told me. She only wants to do art some of the time, when something particularly inspires her.

Jessica graduating with a degree in English

What it makes me think about is what we’re all supposed to be doing with our lives. Is Jessica, with her wild individualism, robbing the public good the use of her artistic services? Do we owe it to the wider community to do what we’re good at and leave our passions to the side? (I have discovered that I have a rare and refined skill at pushing paperwork, which I would happily drop. But, I suppose, there is a lot of paperwork out there and somebody has to do it.)

And what’s even worse is that some of us (Jessica and I included) are challenge junkies. Part of the allure of the things we are passionate about is their difficulty. It’s in the knowledge that we will be able to put our full efforts into them, and then maybe only scrape by.  It makes us dreamers of possibility and, I suspect, somewhat delusional. I wonder about it.

The artwork that Jessica did last was drawings on her notes during one of her favorite Lit classes. It was inspired by the lecture, the discussion, and the spectacle of the Victorians. (She took a picture of one of the spreads, and I wanted to make sure that people saw it.) She'll do more art in the future, when she's inspired to; it's just that she won't do art as an occupation. Everyone knows that the president isn't required to paint.