Showing posts with label Jon Fox. Show all posts
Showing posts with label Jon Fox. Show all posts

1.03.2011

365.





So, I've started a project that I really hope I finish.

I plan on taking one picture everyday for the rest of the year. The purpose of this project is to do two things:
-to practice photography on a daily basis
and
-to create a story that requires 365 days to figure itself out.

The duration and patience and commitment of this project empathizes with my own ideas and plans and unknowns for my future.

These are my three photos so far. I won't post every single one even though it would also (hopefully) improve my writing skills.
We'll just have to see.

from top to bottom:

jan 01- the first thing I saw when I woke up that morning. Lake Tapps from Nic Vargus' house.
jan 02- Jon Fox fixing my car. He would say, "I didn't fix your car, I just reattached the rubber lining to the inner frame."
I say Jon Fox fixed my car.
jan 03- A kid at my middle school grabbed handfuls of paper towels, threw them in a trash bin in the boy's bathroom and lit it on fire. The school was frantic and smokey. This is the fire truck that saved the day.

9.14.2010

Writing and Living, I guess.

I am now finally settled from the settling. I moved to Seattle. Most people ask me for an explanation, (especially because I don't have a job), and I can't give them one that would satisfy a reasonable, practical response. Sorry.

My unreasonable and impractical response is that I get to live with friends. My dear friend Erin Cooley is going to marry med school next year (she will have a life, but it could be in Seattle, Boston, the Bronx) and I have always wanted to spend a significant amount of time with her.

We eat and sleep and shower in a cave on Ravenna St. Apparently it's in a "yuppie" part of town. I have to rely on map quest to go four feet in any given direction, so I'm just going to trust that that is true.

Die Bierstube is becoming quite the hang out. (I still miss the Bigfoot) Good people and good times to be had for sure. Maybe they are hiring.

I live with another kid named Nick who I met the day I signed the lease. He likes good music, he fixes things like our water purifier, and helped me research my property law rights. I'm a fan. Again, I just trusted that Erin found a stellar third mate. (I was actually the 3rd one to jump on board, but just work with me here.)

Despite the fact that I'm unemployed I always find myself doing things. That is great. I need to be entertained. Just ask Leslie Dugas, Amy Brown or Jon Fox.

I also realized something. A challenge for myself I guess. One of my main goals was, and still is, to find the silliest things to do so I can write about them and share them with you. That will happen simply by default. I can't seem to help getting myself into some sort of trouble. That goal is great, but I think the need to seek silliness derives from some weird fear, I guess. I am afraid that if I'm not doing anything interesting, I have nothing interesting to write about. Fiction is scary to me. I would rather fiddle around with a pre-made template than rely on my own imagination. Maybe I'm not giving myself enough credit. Or maybe I am subconsciously self-aware that my writing skills remain within the delight confinements of non-fiction observation. I guess we'll see.

Or maybe I'll be riding the bus one day and come up with a kick ass wizard who has an owl, an invisible cloak, takes on the most evil character who's name can't even be spoken aloud and become richer than the queen of england.

It could happen.

5.16.2010

Fifty-fucking Thousand



How can you not love this show? How can you not? Ahh!

Jon was saying the other day, dapper young man that one, that the movie betrayed the shows. The series is witty and unsentimental, and the movie is not. At least, that’s the essence of what he said... I’m not quoting directly.

And, you know, he’s right. I’ve been watching the commentaries to the episodes. I’m watching the one to the movie right now. And the show is a farce—if not at the core than at least somewhere. Michael Patrick King, his majesty director, talks many times in the show commentary about cream pie-ing. Whenever a character has got it figured out, is sure, is at the top of the world, she gets a cream pie in the face.

God, I love this movie. And I’ve had maybe a little too much beer to write this well. And of course it was supposed to be the blog of all blogs. Forget whatever happens in my life.

Stanford knows that Marcus is the perfect boyfriend, beautiful and young, and it turns out Marcus used to be a male escort. Splat.

Trey is the perfect prospect, rich, WASP, and mannered. Charlotte knows she’s finally found her perfect husband, and then there’s the flaccid penis problem (first time I’ve had to spell flaccid, I think) and the not wanting children thing. Splat. Cardboard baby, splat.

I read something on Focus on the Family’s blog about Sex and the City. It criticized the show in the following way: it’s a blah blah blah show blah blah blah desperate women (or women desperate for sex) and then something else. And I thought—exactly! The success of the show, in my mind, exists because these women are not the poised figures that women are supposed to be. They are a desperate deranged coping reactionary lively fabulous representation of what women are in real life. And anyway they laugh.

I was justifying my love of Sex and the City to Jon Fox, once, in the following way, “It’s way funnier than Gray’s Anatomy.” To which he responded, “Well, Sex and the City is a comedy and Gray’s Anatomy is a drama. So it had better be.”

So anyways, in the shows, for everything serious or sentimental there is a back cutting of a joke, a self-awareness, or a cream pie. MPK says that there were originally more jokes written in the movie. They were discarded in lieu of the pain of the plot—again would never have happened on the shows.

And here’s where I get to the point: the second movie’s coming out and we couldn’t be more excited here at Westover (or what’s left of it). What if the movie was a giant cream pie? How fabulous. The first movie set us up with marriage and children and Samantha being free to have sex like always. And what... what! if they had an existential crisis! What if the dresses, clothes, fashion weren’t good enough any more. Splat. What if they came out front with the theme of the show—not sex, but how to live life not alone. What if everyone gave in not to cosmos but to knitting?

Maybe the cream pie in all of our faces is that we die. Or finally, finally, get old enough that our bodies (trusty companions) betray us. Or we are no longer beautiful... except my friends, y’all will always be beautiful (until you’re not, of course. Splat.). And what we’ve really got isn’t the stuff that we’ve trumped up and gotten so happy and sure about; it’s, well, smaller and harder... it’s... it’s... aw, fuck if I know, I’m only 22.

3.24.2010

The KyleJacobean Era: in which I should have mentioned Arsenal


Yikes! So this needs some work. But it is an experiment: I've been reading a lot of Tom Wolfe. He wrote in the late sixties about various groups and their lifestyles. At first I wondered (in dismay) why we Westovarians did not live more like THAT, but I decided that, though we are not hooking down LSD until we are out of our gourds, we still have a lifestyle. This is my shot at documenting some of it. I'd love to hear your comments.


They are a part of the first generation since World War II to be worse off financially than their parents. The money-soaked air of the sixties and nineties has dried up.

Previous generations have been able to slough adulthood—they live the LIFE. Hippies, Surfbums, The Whole Sick Crew. Escaping the job market—meat market! humans as goods—by working only occasionally and making it because there was money in the US bloodline and oil in the ground.

Whitworth grads! Bright-eyed straight out of an incubation of Mind and Heart. Children of intentional development who know words like mentor and s, d, or t groups. S.T.D.? not an issue with this crowd. An education not extended so far as the curious ailments of Body.

Three sit under the florescent lights of the kitchen. The Westovarians or Satellite Persons (WOSPs) expand to fill houses and duplexes built in the seventies—wallpaperophiles, have landlords ranging from uninvolved to bedfellows. They put down their 300 a month and have space, ah space enough to fit their crap... smooth their crap to a fine dusting over everything. Annie Dugas and Amy Brown had spent a month after graduation looking for a job—willing to take almost anything. They considered serving coffee as bikini-clad baristas, diapering and bathing the elderly, and booking hotel reservations for truckers. Dugas went from one interview to another churning through her vast assortment of sundresses and brightly-colored scarves. Amy researched obscure companies and slid between job search sites in hope that some sorry menial position might accept her with open arms. Carrie Bowers talked to some folks she knew and got seven jobs.

But what is there to afford? WOSPs know the kindly benefits of approving parents: plane tickets home, cell phone and car insurance covered, a quick influx of money if it really gets That Bad. But of course, there is beer to afford. Really good beer. From towns that ducked away into the mountains. Beers with body and complexity—oh the deep love of complexity. Beers from the bottle and on tap, from Germany, Belgium, Colorado, and Oregon. Porter, Stout, Hops! bliss.

The best of consumption for this crew.

Jon Fox sits in the coffee shop. He wears earmuff Houston-we-have-liftoff-type headphones—the kind that block the outside howyou’vebeens? and goodtoseeyous which is necessary because WOSPs listen to music with full concentration. Lyrics, composition, complexity (Complexity!), and unintelligible words make good music. They focus to enjoy it. Their music habits are quite free thanks to grooveshark and Jon Fox, whose source of the tremendous bulk of his collection is a touch mysterious. They speak of it with reverence. You think Jon has more Bony Bear?

Dugas thumps her hands against her Subaru steering wheel to the likes of Keisha, popular. . . state-school music. The WOSPs concede to this as a quirk of hers on the account of her big hair (a muggy spot in the brain the same area that would cue her for appropriate times to laugh). Jon Fox hopes that she will someday drop her defiant Taylor Swift fanhood and get down to the serious business that is listening to his Top Ten of the Decade.

And you should see the books they read. Ones by verbose theologians and existentialists, by authors with gaggles of consonants in their last names, and by the rascaliest new eggheads and the dustiest old stuffs. They read for pleasure, sure, but they read to EXPAND. To become, ever increasingly, the coolest and cleverest person they know, with the best sounding questions and comments in class. ... er, life.

See, that’s the thing. They work hard. Concentrate. On the things that other people consume in their time off work. The WOSP thinks, “Once I am cool enough, clever enough, well-rounded, bolstered Heart and Mind with the right tastes and insights and topics of conversation, then OH THEN! The rest of the best people will come find me with opportunity, with a job, and with a fine recognition for what I’ve accomplished.” The warm and encouraging $30-thousand-per-year light from Whitworth persists in their memories and self-perceptions.

For now, the false work of minimum wage jobs to cover expenses—somebody’s got to buy Spaten Optimater. And the occasional eeking out of a résumé, but what’s the use? The only way this crew looks good on paper is if they are creating a piece of art—if they’re writing something that’s worth reading in the first place.