1.27.2013

Alphus

This is part of serialized short story. I posted the beginning on 11.03.2012, and if you click on the label, “The Adventure of Alphus Gibb,” you can see all the available pieces together. I’ll be posting new segments on Sundays. I hope you like it.
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13/13

Masha had only broken into a slight sweat while given birth and had requested nothing for the pain. The delivery room was crystalline white and smelled deliberately of nothing. There was a bed, a silver bedpan, and a washbasin on a lone table with sharp edges. The window was crosshatched by thin lines that led out into the hospital hallway. Lisa and Suzan stood on tippy-toe to try to watch their mother. Their faces showed little amazement, and in truth, they would remember very little of the birth; it was so dull. The doctor merely moved between table and bedside, and on the last trip he held Alphus in his hands. Masha was covered in a sterile green tarp. The girls would remember the thick window, strange because it did not lead outside, and the rolling metal carts that would bear down on them. The carts had two shelves that were covered in metal objects and plastic bags. The people pushing them did not have any definable facial expressions. What was the smell of birth? The baby boy looked withered and fleshy. His skin was covered in fluid carved from his mother’s womb, and his eyes were tightly shut. The doctor spanked him; he needed to hear him wail to know that he was breathing. Alphus didn’t cry, but he breathed nonetheless. A steady, if labored, in and out. They were alone in the delivery room: Masha, Alphus, and the doctor. There was no sound but breathing.

Masha Gibb, her son Alphus, and her two daughters lived in a small town. Masha settled her family there because the wheat had not yet been harvested and shone like Rumpelstiltskin’s gold. It grew up and down hillsides like flaxen waves of a frozen ocean. Masha’s hair was the color of the wheat, and she cropped it short. She was average height but had a slight build and was often mistaken for being younger than she was. Her shoulders were narrow and hard.

She bought a house for cheap, the previous owner having fallen upon hard times – a mortgage, a divorce, no work and less motivation. The bottom half of the house was made of brick and the top was wide paneling, a shade of blue so light it was almost white. Brick stairs led up from the driveway and through a cement arch to a small shaded landing at the front door. Masha let the previous owner, Kevin, stay with them for a while. They had a bad mole problem in the backyard, and Kevin, a man of tan complexion and nasal drawl, would sit on a folding chair and throw back beers; he’d wait, mallet in hand, for a mole to show himself upper-terrestrially. Masha would occasionally find him passed out in the grass, the yard as extensively moled as ever. The underground rodent colony actually made the ground rather soft; so soft that one afternoon it simply swallowed Kevin up. Masha found the yard empty, upon returning from her new job, and Alphus and the girls investigating a sandy human-shaped indent that had formed in the ground. Kevin’s chair was empty and a beer bottle, some liquid still inside, lay on its side by the sandy grave. Masha led them into the house. Lisa cried. The next day Masha set about pouring the yard with concrete.

Alphus had been born on the morning of the shortest day of the year. The day after his eleventh birthday, school was canceled, and the next. The school building stood empty, snow piled almost up to its eaves. There was a road from his house that ran, like a trench, downtown, past the McHenry snow farm, and around one round-about to the vacant plain of snow that was once, presumably, the school parking lot. Alphus remembered how Ms. Kingsly would park in the far corner of the lot and take her naps in her car during lunch.

While the other kids would play together, chase each other and make up rules to their own games, Alphus would sit in the corner of the gravel field outside the school. He would watch the sunlight play through the tree leaves and count as many pebbles as he could without running out of numbers. Sometimes he would watch the other children, watch the way their heads and bodies would move when they ran. During morning recess he would pace the border of the red gravel field, searching the ground with his eyes just like the old neighborly man would sweep the field for metal. Both were looking for treasure of sorts. Alphus found a new rock each day. He’d pick up the one he had chosen and finish pacing his circuit, rubbing the rock through his fingers and turning it over in his palm. He preferred rocks that had been cleft and smoothed on one side. He would put his rock of the day in his pocket and then put it on his shelf in his room once he got home. His favorite rock, a white limestone with pumice-like holes on one side and a smooth basin on the other, was kept on his bedside table. When he couldn’t sleep, he’d rub the smooth side with his thumb and imagine the light dancing through the leaves. The leaves would fan from dark green to a shade that was so bright it was almost yellow but still the deepest pure green he could imagine.

           The snow quickly covered up all the rocks in the red gravel field, and he could no longer pick out his favorites. After a week of snow, Ms. Kingsly, having just woken up, found Alphus tunneling, hands bare and raw, through the snow. When she snatched up his wrist, she found a pebble cupped in his palm. It was so round it may have been tumbled smooth by a glacier or sanded down by ocean waves. Though the glaciers had been melted for centuries, and there wasn’t an ocean for miles.  

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The End

1.24.2013

Pipes and Beards

I read The Revolution was Televised by Alan Sepinwall, lately. (The Cops, Crooks, Slingers, and Slayers who Changed TV Drama Forever.) I raced through it as I alternated between being enthralled and just wanting to finish. There's this throwaway paragraph on Mad Men that says:

"Though the fashions and popular culture still resemble what we think of as the 1950s rather than the '60s, hints of the counter-culture become stronger when Don is pushed to hire a pair of clever young copywriters named Kurt and Smitty, who can give Sterling Cooper access to the youth market that's so hard to reach. [...]

"It's [...] a huge leap from someone like Paul Kinsey, a Draper underling born only a few years before Smitty, but who grew up in a generation where being older was something to be admired, not feared. (Paul takes on various middle-age affectations like a pipe and a beard and is, unsurprisingly, left behind as the decade marches along.)"

"Pipes and beards -- I know those," I thought when I read that. When I was in college, it was very common for junior men to take on both those things. Heck, some of them even golfed! And later they moved on to scotch and Lipitor. I just never associated it with reverence of  middle-age.

I thought everyone of my generation was like me in that I was deeply affected by Peter Pan in my youth. "Never grow up" was the most sound advice I had ever heard. I mean, have you MET grownups?

Note: it's not really that I dislike beards. Some people look very handsome in them.

It's just that it makes me worry about my generation, this drive to look and act older. I worry as if it were identifiable or measurable. I know that by lumping so many people into a generation I render my statements meaningless -- generalized, simplified, inaccurate, not real. And of course, I'm really just noting a somewhat-common trend among college-educated white men that I know.

But guys, I thought we were the lost boys....

1.22.2013

A Late Christmas

Traditionally, late January is the time of year that my family sends out its Christmas cards. So I figure, a la Brown, it's not too late for me to do a Christmas reflection.

Christmas-Eve-service reflection, more specifically. My thought (I have one) on this might be confusing -- Lindsay looked at me in silence for several seconds when I was telling her about it. The good thing is it's also very boring. So if you don't get it, you're not missing much. Mastery in this area is non-required.

My favorite part of the Christmas Eve service is right before we do the candle-lighting bit and the pastor stands up front and explains the etiquette for not singeing your neighbor's clothing or scalding them with wax as you grow the candle flame along the rows to all the congregation.

Of course, the part after it is great - the lights going dim, the rise and fall of all those points of light, the heat coming off small flames indoors, the hands all connected to the light attached to a people who, let's be honest, don't really get together much.

But once the candles are all lit, it's back to the weight of Christmas. People in a crowded room, the solemnity of a divine birth, the silence of trying to get a little bit of that wonder back - the wonder of being a kid at Christmas or the wonder of believing in something.

The weight gets to be a lot to handle for me, and it's nice to have a sudden break from all that magnificence. The pastor has finished his or her sermon; I'm feeling that incomparable joy one gets at a church service almost being over; she's been talking about the lowly conditions of our savior's birth, about the conditions of our very cold world, about the pain and heartache and loneliness that often accompanies Christmas.

And then she needs to lead us in transition to the candle lighting. She explains, almost apologetically, sorry for breaking the mood, that the person with the unlit candle needs to tip their candle up to the already lit one in the hands of their neighbor. Not the other way around, don't want to burn anybody. And parents, will you please keep a close eye on your children.

I like it because we finally get some instructions I can handle. Joy to the World! is too much for me. And the instructions set the tone for the rest of it. I love watching the people be extra careful with their candles, strangers taking pains to not set one another's hair on fire.

And maybe it's sacrilege. Maybe I'm faint-hearted. But I'll take that -- that moment when one candle lights another and, as instructed, the people are briefly acutely mindful of their neighbor's well-being -- over feelings of Peace on Earth and Goodwill towards Men.

Merry Christmas, everybody.