12.30.2022

December 30, 2022

I really miss J today. (And I did yesterday.) Talking to him makes it worse. I don't want to lose or lessen our connection, but I also don't want to get bogged down in that sticky emotional swamp. It's been hard to focus on other things beside Relationship. Granted, I think relationships are one of the most fundamental and important things in life, so focusing on them to some extent is Good. But... I've got the rest of my life too. My writing and soul-searching and exercise and search for autonomy and... self-actualization? I just want the skills to know I will more or less be okay. Maybe that kind of assurance isn't available in life though. Life being this scary vast ungoverned thing. 

The scariest part of getting a divorce is the fear that I might not find someone I like to sleep next to every night. That's my favorite part of being married. 

10.21.2022

October 21, 2022

I talked to a friend who got divorced a couple of years ago. He was saying that a big thing to get over was the thought that his wife (now ex-wife) needed him, that she wouldn't survive without him. In my experience she's a hyper competent, fiercely independent person, so that was surprising to hear. 

Another of my friends, a long time ago, was telling me that in general he feels happy when a former partner starts seeing someone else. That's when he knows she's really okay. Small sample size of men here, obviously. But it was interesting to me. Part patronizing, part sweet. I don't know, for whatever credit they're not immediately giving their former partners - in the categories of strength and ability - it seems they're making up for in care. Some (maybe biological) urge saying "protect her" "take care of her." I don't hate it (at least right now). 

8.21.2022

August 21, 2022

It looks like you've acquired yourself an Amy Carver. Congratulations! Having an Amy can be a lot of fun, but she's a temperamental creature and comes with a wide variety of needs. If your Amy is feeling blue, try cheering her up with one or more of these activities: 

- Have her call a friend or her mom.

- Complete a stretching video. 

- Go to the beach. 

- Eat a cookie. 

- Drink a glass of water.

- Have a cup of coffee. 

- Go on a walk (just or in combination with any other of the suggested activities). 

- Drink a beer. 

- Lie on husband's chest and match his breathing. 

- Watch a Twitch stream (Richard Herring Self-Playing Snooker or Blindboy) or go to an Alice salon. 

- Go to the gym. 

- Watch a Youtube video on science. 

- Do dishes or sweep the floor. 

- Cook a meal. 

- See a movie in theaters.

8.08.2022

August 8, 2022

 Quickly dashing something off here. Time's been flying in Edinburgh. I think it's because it takes so much time to walk everywhere. I think -- oh I have an hour and twenty minutes, that's a lot. But it's not really when everything is at least a ten minute walk from everything else. And it's 30-40 minutes if I want to go back to the dorm. Lots of steps. I love the steps. 

It's so cool to be here. I was worried I would feel very harried, but the shows have been energizing so far. (I've seen 3!) The vibe is nice. The art. The fans. The old buildings and cobble stones. It's a nice hustle. I already want to come back in some future year. 

8.06.2022

August 6, 2022

Frantic thoughts. I'm like an over tired child right now, not wanting to go to sleep, except that I'm an over tired adult not wanting to go to sleep. Keeping Mitch up next to me with the annoying type type type of the keyboard. 

This trip has been fun as shit. But I'm also hitting the skids of not eating healthy enough, not stretching, not writing, not having my routine. Staring at Mitch's face for ten hours a day. (What more can we talk about at this point? I forget about third things (very stupidly). I keep trying to dredge the well of how we're feeling, of deep thought. When really we should talk about our favorite birds or something. Get a goddamn hobby, Amy. Some interest of some sort. Welcome to our thirteenth year of marriage.) 

Met an Olympic gold medalist today. She's one of the guests staying in this bnb. 

Reading Alice's posts from the Fringe. She sounds as frantic as I feel. I'm looking forward to seeing her show and meeting her in person. I wonder how tall she is. I bet she's kind of short. Lots of people are kind of short in real life. 

I haven't done any writing. I will probably be a loser in front of Lizze. I've just been taking the vacation. 

Finished mainlining The Trespasser by Tana French. She is drugs to me. The mystery is good. The over-thinking and analyzing of behavior is intense. Exactly what I would like to be an expert at -- both in writing and in person. I'd love to be able to read people with a high degree of accuracy. People are the scariest things there is. 

8.03.2022

August 3, 2022

I was going to write a blog post everyday (and I'm supposed to do 15-30 pages for Lizze), but those things haven't been happening. Mitch and I are in Bergen now. It's the morning, and I'm starving. I want to go get some coffee and Norwegian waffles (or at least pastry). People drink coffee all day here (or at least Kyle and Anne do). I'm all for that. The comforters - the duvets - are two separate ones, one for each person, not one big one. No sheets to speak of. The showers are little walled in stalls in the corner. Not walled in, glass doored in. The floor is the same as the rest of the bathroom, just with a drain in it. The tap water is gooood here. What else? 

They don't do lines great, here. I'm excited to get to the UK for that. The flowers look amazing, all that indirect sunlight. 

We took the train from Hamar into Oslo then from Oslo to Bergen. The train was canceled from Voss to Bergen. Voss! What a city. So gorgeous. So we took a bus the rest of the way. It was too dark to see the prettiest part of the country -- all the fjords and stuff. We're about to embark on Bergen on foot right now. Hopefully we'll see some of that. It's rainy. Brought my rain coat. 

7.31.2022

July 31, 2022

I need to charge my computer all night, I think. I have it plugged in and it says it's actually draining battery. Mitch and I are at Kyle's house in Hamar, Norway! It's been a very chill time. We've been hanging out with his family (wife and two kids), eating brown cheese and a lot of berry products. We walked in the woods. They leave their door both unlocked and wide open. It's gorgeous -- something about being somewhere in full summer that gets very little summer. 

It's been relaxing. Like we're camping or something. Being away from the city, in the fresh air. It's Norway, so the summer air is CRISP. I've been sleeping a lot. They drink lots of coffee here, several times a day. I can get behind that. Norwegian is a funny language. I have to stop myself from talking in gibberish without thinking about it, a passive imitation. 

Here are some photos: 







7.28.2022

July 28, 2022

In the Tom Bradley International Terminal at LAX. Mitch and I finally going on our tenth anniversary trip on the bring of our twelfth anniversary. I want to write a post everyday while we're gone. That seems like a good thing to do. 

To kick off, though, wanted to write a little bit about stuff that's happened in LA recently. 

First, I went to Courtney Pauroso's one-woman show called Gutterplum. She does clown. The frame of it was a woman's whole life starting out when she was a tomboy. She invites an audience member up to the stage to kick the can with her. (She's in the market for a new best friend.) Then she finds a backpack in the woods with beer and cigarettes and strippers heels. Low and behold, she's gotten her period. Her dark curls come off and her hair goes blonde. She's a teenager. She's at a party. She invites the audience member back on stage. She gets pregnant (from the teenage version of playing leapfrog.) And it continues. She becomes a woman, a butt doctor like her mom. The audience member comes back on stage and they get married. 

In that segment, as a grown stressed butt doctor, she goes nuts and gets topless -- "you want to see my tits??" -- and crawls around in a bridge using a deep growly voice like she's possessed. Then she scarily asks if we want to see her pussy. And the audience is like... ? The lights go all the way out. She gets naked and then runs to different parts of the stage and flashes a flashlight on her pussy. So you get these quick flashes of vaginal maw. Wild. 

Courtney and the audience member have their 25th wedding anniversary. He dies. 

Then she gets old, draws wrinkles on her face, has long grey hair (head, nipples, pubic). She dies. The audience member is there for her in heaven. They kiss. 

The thing was so nice. And sexy. And cringey. But the audience guy did so good, and by the end you could tell he felt real tenderness towards her. It reminds me of that short story I like (that I can't remember the name of, but I do know what book it's in and where that book is on my shelf) where two people meet at an airport. They don't know each other, but are making some kind of luggage transfer or drop for a friend. There's a wait and they talk. And they end up imagining a life together. It's like it actually happened. And then they leave, feeling old. 

It's like that Star Trek episode too. The one where Picard gets sucked into the artifact of the alien civilization and lives a life as if he were a member of that planet. The chance. The chance. The chance. 

The only other thing I wanted to say -- not about the show -- was that the other Saturday I went to the park to shoot around with some folks from my basketball team. It ended up being just me and two other guys in their fifties. We played Pig and Horse and did all the stupid shots you used to do in the driveway or on the playground. It was good. 

7.15.2022

July 15, 2022

 The painters were in our apartment again yesterday. We really needed it. The ceiling paint was cracking and coming down in chunks. They did the main room, so I was sequestered in the bedroom. I guess I didn't really need to be there, but I felt better being around to make sure the cat didn't get out. 

It was taking longer than I thought, and the main room was cut off to me by white plastic tarps. I was supposed to go hiking with a friend. I pushed our start time back by an hour. The painters still weren't done. My friend suggested I climb out the window. Instead I just called out, announced that I had to leave. From deep within the sea of tarps, the painter emerged. It reminded me of the sheets scene in Romeo + Juliet, but instead of a young lover I was met with this middle-aged Latino man, covered - head to toe - in white paint dust and splatter. It was even on his glasses. 

He let me out of my apartment. 



7.14.2022

July 14, 2022

I read the screenplay for Gone Girl yesterday. So good. It's almost like Gillian Flynn is a good writer or something. I didn't want to put the screenplay down, and that's really unusual. The scene descriptions were good and funny. Sentence by sentence it was impressive. I feel like it almost might have been better than the movie, which I remember dragging a little and feeling long. The screenplay -- while long at 177 pages -- doesn't drag at all. And some of the joy in it is the sentences, the scene descriptions, which of course don't show up in the actual movie. Good for the actors to know, though. I feel like they'd be helpful for the creative team in general. 

Flynn does a good job of walking us through how this woman, Amy, might plausibly be this crazy. I've had a hard time with that in the past -- with Hell House for example. How do you put enough pressure on a person that you make them snap. Flynn pushes Amy up to that edge, so when she falls over it, we believe it. The sheer unlikeliness of the whole thing is forgiven. 

Gone Girl is also very convincingly about this marriage, about a fairly regular marriage. Something relatable. I remember feeling like the movie came across as a bit more Rah Rah Girl Power (could have been my frame of mind), while reading the script it feels more like Amy's not the hero here. Like she's a real nightmare. Of course she's a nightmare -- I guess I'm also saying that she's complicit in the thing she's raging against. We usually are, I guess. 

I read the script because I'm trying to crack a similar concept. The thing is about Amy -- Gone Girl -- but the POV is Nick. Maybe I need a stronger POV character. Maybe not though. Anyways, some of the power in Gone Girl is the fact that domestic violence is so prevalent that Amy's framing is entirely credible. The actual truth of the book is incredible, of course. 


Okay, the other thing I've been thinking about. I play basketball a lot, but I don't think I'm getting better at it at this point. My body aging is part of it probably. I'm also not practicing as hard/smart as I could. I'm just playing for fun. It goes against my theory of putting in the hours being a surefire way to improve. If I weren't playing regularly, I would be worse at it, though. 

Fascinating work, here, Amy. 

7.13.2022

July 13, 2022

I got my hair cut the other day. I go to this woman on Westwood Blvd. She charges $20. She doesn't wash your hair. She doesn't really take appointments (you can call the day before or the day of). You pay her in cash. She's amazing. She's Persian and works in Persian Square, so I asked her what restaurants she recommended in the area. She told me "Fresh Corn Grill."  

7.11.2022

July 11, 2022

I got a peek of my life this morning outside of my existential dread and it was pretty nice. Enviable even. I would like it, would be excited to live it, if you told me about it.  

7.10.2022

July 10, 2022

 A) I wanted to take the weekend off from thinking about a Relationship. Mitch and I went down to San Diego to visit friends and his parents, who were visiting from Washington. Things were going pretty well. I was present with the people involved. I was enjoying myself. I was interested in the books I was reading. But Friday night, I went to bed early and was distracted with stress. Stress concerning the Relationship. I read from an essay collection on my kindle. I got bored with that. I turned to the complete collection of poems by Wislawa Szymborska, a move I pulled often when trying to go to sleep during the Spring and Summer of 2020. She wasn’t grabbing me, but at least the reading was wearing me down. (Feed the woodchipper.) I read: 

Vietnam

“Woman, what’s your name?” “I don’t know.” 

“How old are you? Where are you from?” “I don’t know.” 

“Why did you dig that burrow?” “I don’t know.” 

“How long have you been hiding?” “I don’t know.” 

“Why did you bite my finger?” “I don’t know.” 

“Don’t you know that we won’t hurt you?” “I don’t know.” 

“Whose side are you on?” “I don’t know.” 

“This is war, you’ve got to choose.” “I don’t know.” 

“Does your village still exist?” “I don’t know.” 

“Are those your children?” “Yes.” 


The next poem was too long, so I thought Well, I’m going to sleep.


B) We stayed with our friends Dan and Lynnea the first night. Dan cajoled a story out of Lynnea, about the last time they had visited London. She went to the Tate Modern by herself (Dan not liking art museums), and without telling anyone, took 15mg of THC. It turned out to be too much. She was having a great time until she came to a Rothko. It had a powerful impression on her. She was vibing, connecting, and then she realized that she was looking at a red square. She decided she was too high, having an unfounded reaction to this red square. She panicked. She tried to get out of the museum, but the layout was confusing, and she was too high. She tried to follow the exit signs, but she kept winding up back in front of the red Rothko. She eventually did get out of the Tate and made her way over to a nearby Starbucks. (There was no way she was finding her way back to the hotel.) She texted Daniel, saying that she was sick and needed help. Neglecting to say she was high. He had to rush all the way across London to help her. This was told as an embarrassing story. But I think that was the correct response to seeing a Rothko. She did it right. 


C) Mitch and I took the train to and from an LA Sparks game. The passengers in Los Angeles are spicier than those in Chicgao. Or at least there’s a higher density of spiciness. Mitch saw a tweaker get on with a hand under his shirt, clutching something. Mitch was afraid it was a gun, but it turned out to be a laptop, tucked into the front of the guy’s pants. On the way back, 10 o’clock at night, I saw a person (man? Woman?) get on dressed in a bright sweatsuit, hood up, black sunglasses on. They slouched into a seat behind us. Several stops later. A man got on pushing a red shopping cart. Inside were reusable bags of belongings. Fairly clean, but shopping cart on the train. He was also wearing shades. The person in the sweatsuit stood up and slouched past us. I was worried they might collide with the man and his shopping cart, causing an altercation. I wasn’t sure they even saw him. I realized the person was going for the empty sideways seat – and so was the man with the shopping car. This could be trouble. The two sat on the sideways seat, next to each other, in perfect unison. The person in the sweatsuit put their arm around the man’s shoulder. The man put his hand on the person’s knee. They were wearing matching sandals. Not a word was spoken. Not a look exchanged. 

What the fuck was that? 




7.08.2022

July 8, 2022

I had made a date to go hiking with a friend so we could strategize getting represented. Business! I got to the parking lot, and she was running behind -- by like an hour. I parked in the shade and rolled down the windows, leaned the seat back and listened to Dune on audiobook. It was hot, but the breeze felt nice. I half dozed. 

I've been thinking about the concept of my experience being my responsibility. It's an extension on the idea that other people can't make you feel anything. They don't have that power over you unless you give it to them. Obviously, this only works so far. If someone is being cruel to you, that's going to feel bad. And people shouldn't act cruel. They should try to not act thoughtlessly. People should try to treat each other with care and respect. BUT but... with my friend, did I have to feel disrespected? Do I have to log what happened as, She disrespected me, and that's going on the ledger. If she keeps disrespecting me, then she's out? On the one hand, kind of yes. On the other... well, I had a nice time listening to my audiobook. Such a nice time that I was kind of hoping she all-out canceled on me, so I could listen/nap for a while and then go home. (We did end up hiking, and it was great.) 

(I'm confident that her lateness has way more to do with her and what's going on in her life than it has to do with me or how she feels about me.)

If my experience is my responsibility, then I can't count on other people making me happy. Or put my happiness entirely in their hands, I guess. If something falls through on somebody else's end, my job is to pivot, take care of myself. Use my energy to save my experience rather than sit there and fume. 

Whew, being alive is exhausting. 

7.04.2022

July 4, 2022

I read a story in A Treasury of Science Fiction, an anthology from 1948 that I picked up in one of those free libraries. It's been sitting on my coffee table for months, you know how it is. The introduction had this part, which I thought was very good: 

"However, the great majority of the yarns you are about to read have been put down on paper solely to entertain you, and to provide you with some rugged exercises for your imagination. In the long run, those are the major purposes of the art. And if you do enjoy this book, if you get from it a few hours' relaxation from the tensions of modern living, its reasons for being will have been justified."  - Groff Conklin (1948)

I thought that was great. It reminds me of David Mamet's thing about the purpose of drama being the suspension of consciousness. It's similar to drugs I think, people have a hard time taking unmediated reality, unmediated consciousness, all the time. We need a break. 

It's nice, too, to have that be the goal of my writing. Just make it a little nice for people for a little bit! There's value in that. Loads of fucking value. I care enough about a nice time, I think, to make that my life's work. Or to try to make it that. Reminds me of my thinking when I posted this: 



 

6.30.2022

June 30, 2022

 I started a dance class yesterday. It's going to be once a week for five weeks and is run through UCLA's rec center. I've never taken a dance class before. There are only five people in the class, including me, and the instructor was 15 minutes late. It was just a sub this week -- a small woman, probably younger than me, who announced to everyone that she was on the autism spectrum. (I keep getting distracted when I write.) A guy in the class started talking about how he had autism. It felt like a general HIPPA violation, but I guess it can't be if you're just talking about yourself. 

The dancing itself was harder than I expected. It wasn't super taxing athletically, but the choreography was a lot to remember. It was also difficult to control my body in that particular way. The balance and precision of it. But it was fun and felt kind of emotional -- maybe it was all the personal diagnoses talk from the beginning, -- something about moving my body in that particular way, to that particular music, working through emotions like they were in my circulatory system. 

The instructor broke us into two groups and had one group perform the dance while the other watched. The audience group was then told to give a compliment to the other performers. One guy, the one who talked about having autism, said, "There's a lot of bravery in this room." And it should have been cheesy -- I mean, it's honestly a bit much -- but it was meant sincerely and felt kind of true. 

6.29.2022

June 29, 2022

I want to start doing these again. Blah blah blogs. I went through my ideas doc the other day and sorted them into categories like screenplay, short story, TV, sketch, other. The sketches category is actually quite big -- maybe a holdover from Second City. Looking at them again I just realized they could all be short films. (Most of them require being on location, I think, as opposed to something you could put up on stage.) Of all the ideas, I think they were my favorite. It could really be fun to write all of them. Maybe use one of them for the SMC application for Film 33. 

I also need to work on Wedding Game. That's coming down the pipe fast (hopefully). 

6.23.2022

June 23, 2022

I'm sitting in an Alice Salon right now. On camera but just listening. The people on the call are all folks I recognize, which is nice. Alice just called on me, ha. I didn't get to bring this up, because it didn't fit with the flow, but what I wanted to say I'm struggling with is community. An artists community maybe. 

I've been hanging around with a guy who's very social. He's a clown and there's a strong clown community in LA (apparently). He also juggles, and the jugglers hang out every Wednesday night on the beach. And tons of people have shows to go to, and it's a whole thing. It sounds like a cool stable way to see people, a good way to see lots of art, exchange lots of ideas. 

Okay, I was able to bring up the thing I'm struggling with -- side note, in these salons it's so often something to do with global politics. I like the Bugle and other satirical topical news comedy stuff, but like my personal problems have always way outweighed worrying about something happening on a political level. -- and people were really nice about it. Everybody's been really nice about everything. My question was like, keeping up a bunch of individual relationships, meeting with people one at a time is wonderful but really inefficient. I want a community, what do I do? And everybody's answer was like, Let's meet more often! They're like, That's what you have here! Let's do it more! I'm like, well guys I meant in person. But I guess that wouldn't have to be the case? I do like the people who go to Alice's salons. They're interesting and from all over the world. It would raise my quota of male friends in their 40s-50s for sure. 

I asked two Lyra people about doing more stuff together as a group, and they were extremely on it too. So maybe this is just what it takes. Putting it out there. Getting it started. I feel emotionally raw and on edge. So it all seems hard but so beautiful, you know? 

I watched a live stream (below) with Christina Catherine Martinez, my icon. I asked her about the differences in communities of artists of different disciplines. Her answer was that in her experience it's the same. Everybody's just worried about belonging. I got that feeling for sure in the skating community. There were whole IG blowups over it, people being cliquish, not giving credit, not sharing hangout locations, etc. I've been thinking about it a lot. I had expected her to be like, Well, writers are less fun because they have to do their work alone in their heads, while performers are great fun and always hang out together. Lol. (I'm really liking lol lately.) 


5.26.2022

May 26, 2022

 Whew! It's been a while. Lots of new stuff going on. At least, I think it's new. I could check back and see if I had started these things back in March. 

Mitch and I saw Nish Kumar at Dynasty Typewriter last night. Then we went out to Cole's for a French Dip sandwich and cocktails. It's interesting that I like Nish as much as I do -- will right away put on any podcast where he's a guest -- considering I'm way less political than he is, less left-wing. Also, I've complained bitterly about my dad shouting political opinions at me my whole life, whereas that's what Nish does in his comedy: shout political opinions. He's funny about it, maybe that's the crucial part. 

I'm tired, man. Got a new project that feels like it's falling apart. Trying to care more about things and also take it easy on the anxiety at the same time. 

I'm doing stuff that's new and outside my comfort zone and maybe could get me to a place I'd really like to be. Same time, big risk of stalling out. Of going backwards. Of losing and feeling stupid for risking so much, for asking for so much. Who am I to expect to get to do the things I'm trying to be doing? Every story is just a reminder about the dangers of hubris. I've got plenty of it. 

Go all out. Keep it in check. 

I'm around artists a lot lately. How lucky is that? LA is too expensive for sense, but maybe I've stayed around long enough to meet some of the people who are trying to make it happen. Who are on a similar journey to me, with the difficulties and pitfalls and - I don't know - the golden amulet to guide us. Maybe I'll really get something different from life. Maybe I'm already getting it. 

3.29.2022

March 29, 2022

I had acting class last night. My scene partner and I did our showing last week, so I just sat and watched others perform yesterday. The professor is tough and doesn't pull punches, but he's also fair and insightful. I like listening to his feedback because to me he seems right on. Granted, I don't know anything about acting really. He just seems to be right about what's important in story telling. What's important in engaging an audience. What's necessary to make things seem real and feel like they matter. 

We watched a scene from Agnes of God between a psychiatrist and the titular Agnes. The woman who played the psychiatrist hadn't memorized the lines very well and English wasn't her first language. But more than that, she was playing psychiatrist like indifferent psychiatrist. When our professor talked to her about it, she said she found the character boring more or less. Our prof talked about how if the actor is not interested in the character, the scene, her scene partner, the audience feels that and isn't going to be interested either. He encouraged her to be curious about the character and to make a choice that was interesting to her. 

I'm applying this thinking to my recent -- and now several-months-long -- malaise about writing (trying to write) in the film industry. I have not felt excited about it. It seems impossible and frivolous. How can one build one's life on it, either practically or philosophically? I've had a hopper of screenplay ideas for a several years. This morning I was thinking that maybe part of my problem is that those ideas don't stir me anymore. Maybe what I need is not to bonk out of writing altogether but to make a stronger choice within my writing. Okay, so these screenplay ideas don't seem to matter? Make a stronger choice. Feel around for a story idea that does seem to matter. Something that will get me off my psychological butt. There's interesting, stirring stuff out there. I just need to do the work to find it. 

(Maybe.)  

3.24.2022

March 24, 2022

Thinking a bit about the benefit of negative feelings -- anxiety, grumpiness, pessimism, unhappiness. Cultish (which I'll BLog about below) partially prompted these thoughts. Montell talks about how grumpy people are less likely to join a cult because they're more likely to call bullshit. I think maybe we make decisions based not on the choices at hand but how we're feeling at that moment. This might just go down to my impulsiveness, but the choice of marriage felt impossible to me, back when I was 22 and my boyfriend (now husband, spoiler) wanted to get married. I told him no way, I wasn't ready to think about it. But then we were out one night at a happy hour, and I had a few beers and some garlic fries and, feeling good, figured Eh, why not? So I got married. In Chicago, my husband and I were having brunch and bottomless mimosas. I knew I wanted to move to LA, but I figured we'd give it one more year in Chicago. But we were feeling good that morning, and we both thought Eh, why not? Basically, maybe it's a bad idea to drink any alcohol or allow yourself to relax and feel good if you've got a big decision on deck. 

Okay, BLog time. I'm going to post this on Goodreads! We'll see how that goes. 

Montell, Amanda – CULTISH
Published: 2021
Read: 3/2022
Cultish analyzed the language and special vocabularies that Cults (like Jonestown and Heaven’s Gate) and cults (Soul Cycle, MLAs, CrossFit) use to create in-group/out-group dynamics, cultivate belonging, and curtail skepticism or critique. Actually, it’s part analyses and part authorial anecdote. Montell’s father grew up in the Synanon cult in Santa Monica. She also talks about her online experience with multi-level marketing schemes and her exposure to cult-y exercise trends ever present in her home city of Los Angeles. (She mentions that she lives in LA a lot.) She talks about how groups can use platitudes – termed “thought-ending clichés” – as a way to shut down critical thought. I have a friend who will often reach for the phrase “It is what it is” as a kind of thought-ending cliché. It soothes his anxiety a little bit, but it also shuts down his problem-solving drive. Anxieties and doubts are unpleasant to feel, but they can help drive us to necessary action – like, for example, leaving a cult. Montell applies the phrase “thought-ending cliché” so often, however, that it itself started to feel like a thought-ending cliché. I enjoyed learning about some of the intricacies of these popular cult-like work out communities. It’s pretty incredible to me the lengths to which people will go to lose weight. Although, of course the book points out how belonging to a community is a huge draw as well. She doesn’t want the reader to be suspicious of all groups, and she acknowledges the benefits of belonging to a community, even maybe communities that can be harmful in some ways. Her distinction between Cult and cult is that cults allow you to step away from ritual time. You get on your Soul Cycle bike for an hour, and you push and scream and cry or whatever it is. You buy that fancy matching exercise get up. But then you go home. You unclip and get back to your life. And if you bonk out of Soul Cycle, nobody’s going to try to ruin your life over it. 
This book left me with some good things to think about. I’ll be noticing the language groups use a bit more acutely, I think. Looking out for those obscure acronyms or neologism. For that expectation to talk in a certain way or to refer back to simple mantras. I also was surprised to learn about the kind of people Cults attract. I figured it would be mainly really depressed and vulnerable people, but the book argues that it tends to be optimists, activists, idealists. People with open minds who want more for themselves or for the world, who are willing to take a risk on something. (People like me… yikes!) On the other hand, the writing style was uneven. Montell writes in a internet-y style for most of it and now and then throws in a bookish word to let us know she’s smart. Her anecdotes weren’t very deep or all that interesting – I would have liked to have seen the memoir-ish angle developed better or cut entirely. Overall, it was a book! Worth a read. 
Rating: ★★★

3.23.2022

March 23, 2022

My husband and I bought airline tickets to London last night. We're leaving in late July, with any luck. This is the trip we were planning on taking for our tenth anniversary in 2020. Now it'll be in celebration of our twelfth anniversary unless the world closes again or one of us gets sick with COVID at an inopportune time. I'm excited, though. we're going to fly into London and have seven hours to go from Heathrow to Gatwick airports. (I hope we can stop and grab a pint somewhere.) Then we're flying into Oslo, late, and hopefully catching the last train up to Hamar. Getting in a bit after midnight. We'll stay with our friend from college for a few days and then take the train across Norway to Bergen, on the west coast. We'll stay two nights in Bergen, giving us one day to hike around and eat cinnamon buns. Then we'll fly out in the morning to Edinburgh, rent a car, and drive to Glasgow for the rest of the day/night. We'll spend the next two days driving around the Scottish countryside, checking out whiskey distilleries hopefully, and then on the third day we'll drive back to Edinburgh and drop off the car. We're staying for four nights in a dorm room at Edinburgh University so that we can experience the Fringe Festival. When we're done there, we're going to London -- or wherever Arsenal is playing that weekend -- and then we'll fly from London back to LA. 

I was supposed to work on my script today but got distracted with the trip planning instead. Both have to get done, I guess. It's amazing how much better just planning this trip has made me feel. I'm going to get out! In college at Whitworth my freshman year, I had an unfortunate and consuming crush on a junior in my dorm. It went on for a year and a half, and I hated it but couldn't get, like, my body to stop walking me towards him. I went to Europe for the month of January my sophomore year. I rode public transportation for the first time, I exchanged currencies, I went to those museums, I got through my first pint of beer, and I learned about Western Philosophy (because that was the class). I got back and never needed to hang out with that guy again. I guess I'm sort of hoping that will happen this time. I'll go get some perspective, figure Hey! the world is big and cool, then be in a better place to go about conducting my business. 

Something else -- I think I'm going to start posting my BookLogs (BLogs for those in the know) on Goodreads. Maybe that will be a better social media platform for me, and I write the posts anyways. I'd polish them up a bit before posting to Goodreads. Take out spoilers and stuff. But otherwise they're good to go. 

I was supposed to BLog about Cultish today, but I was really distracted. Tomorrow! 

3.22.2022

March 22, 2022

My fitness goal this quarter (I just started a new Panda Planner) is strength, speed, and flexibility. I know how I'm going to try and improve the strength and flexibility, but I'm not sure about speed. Maybe I'll jump rope? It's honestly a stretch, but it would be nice to be faster in basketball. 

My scene partner and I did our first showing last night. We did alright, I think. It's just Acting 1, but the teacher is pretty tough. I didn't get the brunt of the criticism -- he went pretty hard on the first group who performed -- so I can't say this with 100% certainty, but I like his toughness, I think. It's refreshing to get straight forward notes that aren't wrapped in false praise. 

I'm still having a one-sided conversation with that guy on Instagram. It's weird that I haven't let it go... I guess I still see good potential upside? I'm also impulsive, and I'll be feeling good and think of something to say... then I'll just say it. Then he won't respond, and I'll remember, Oh yeah, he hates me or something. I'm listening to a book called Cultish as research for the script I'm working on with my writing partner, and it says that impulsive people are more likely to join cults. So I should probably watch out for that. Impulsive people are probably more likely to do everything. 

MLog Time! 

**SPOILERS**

THE BATMAN
2022
Directed by: Matt Reeves (Cloverfield) 
Written by: Matt Reeves, Peter Craig (The Hunger Games: Mockingjay – Parts 1 & 2)
Watched: 3/18/22
Robert Pattinson is the new young-ish Batman. He has a gothic mansion that seems mostly underground – it must be UK interiors, come to think of it – and saves boatloads on the electricity bill. (It’s very dark.) He’s been doing his vigilante thing, crushed and enraged by the death of his parents. A new menace is attacking the elites of the city, starting with the sitting mayor during his bid for reelection. The mayor has a son who’s the same age Batman was when his own father died. Officer Gordon (Jeffrey Wright) brings Batman along to the crime scene because the perpetrator – the Riddler (Paul Dano) – left a card addressed to him. The card contains clues revealing the word “drive.” Batman goes to the mayor’s garage and finds a thumb drive (with the mayor’s severed thumb attached) that contains images of the mayor with a woman from the Iceberg Lounge, an underground club operated by The Penguin (Colin Farrell). There, Batman meets Selina Kyle/Catwoman (Zoe Kravitz). The woman in the photographs is her lover. Catwoman goes to the mayor’s house to get the woman’s passport – is confronted by Batman – but when she gets back home, the woman is gone and it looks like there’s been a struggle. Catwoman wants to get this lady back. Batman wants to get the Riddler. Catwoman goes into the secret club with Batman running surveillance. The whole DA team is down there doing a drug called drops. The Riddler later puts a bomb collar on the DA’s neck and has him crash into the mayor’s funeral. Batman is looking for the rat on a big drug bust case. Anyway, the Riddler targets Bruce Wayne, sending a letter bomb which hits Alfred. Batman figures out the rat is crime boss Falcone (John Turturro) and drags him out of the club. The Riddler snipes him. The Riddler is caught and brought to Arkam. He wants to see Batman. Batman thinks the Riddler is going to unmask him but then realizes that the Riddler thinks he and Batman are on the same team, both vigilantes, both battling corruption. The Riddler then blows up the Gotham seawall and the whole place floods. His followers from online gather to shoot people, and Batman and Catwoman fight them off. 
I liked this movie. The cinematography and the action sequences were cool. Paul Dano was great as the Riddler. Batman comes across as deranged, which is nice. Like, he’s really unhealthy and isolated. The candidate running against the mayor asks Bruce Wayne why he’s not honored his parents’ commitments financially. He’s fallen off on the philanthropy end, and Real thinks he could do a lot to help the city. It’s a really nice critique of the whole premise of Batman – is it really violence that’s going to help the city? Batman beating up thieves? He’s a billionaire. He could be working on the structures and conditions that are allowing crime to look appealing to people. Batman winds up, in the end, helping people in a fireman sort of way. Clearing debris, loading people onto helicopters, lighting the way. It’s rare in a superhero film, where guys most commonly “help” through punching. 
One complaint I have is that The Riddler’s motivation breaks down in the end. He’s targeting powerful men very specifically, enacting vengeance on these men’s corruptions and how they’ve harmed the city. But then he just kills lots and lots of people by flood and wants to kill the next mayoral candidate… I guess because she’s a politician? It’s what separates him from Batman, and it’s too bad because it doesn’t really follow. Riddler seems actually principled until he doesn’t. But up to that point his principles seem genuine as opposed to a cover for something else – megalomania, racism, something. It’s reminiscent of the January 6th attack on the capital, accept we’re not given a reason. The final plan is against someone who hasn’t even been elected yet, someone who wasn’t part of the corrupted drug bust, someone who doesn’t have power. It just breaks down, which is too bad because I think the question of what’s so different between Batman and Riddler is a good one. 
Another kind of annoying thing is how quickly Batman is solving the Riddler’s riddles. As far as I know, Batman is not supposed to be some very clever verbal guy. I’ve barely heard the riddle and Batman has already answered it. It’s kind of weird how in these macho movies, the protagonist isn’t allowed to struggle with anything. They have to be top notch proficient at all things, even when those things go against character. I supposed watching Batman’s face for five minutes while he tries to think of the answer to a riddle isn’t that cinematic, but still. (He could fight fight while he thinks. Sometimes that’s good for problem solving.) 
The cinematography was great in this movie. Dark, noir-like, with cool angles and experimental lighting – there’s a whole sequence in a hallway that’s only lit by gun blasts. The cinematography and the score were what made this whole movie work. The most recent iterations of Batman are so somber that it feels like one accidental joke would make the whole thing crumble. Like letting in an ounce of light would tip the whole thing into revelry. The moodiness makes the characters’ actions palatable. It creates the whole world. 
Some stills:
 

 


Gorgeous. 
Rating: ★★★

3.15.2022

March 15, 2022

Probably as a way of procrastinating getting to my list of tasks -- make grocery list, fill out March Madness bracket, read Baby Teeth, do Rabbit Hole character analysis -- but I pulled up a research publication on social media use and mental wellbeing. I'm in the weeds a bit on my use of Instagram. I'm constantly checking it, and I've been posting a lot. I'm worried I'm depressed. (I wonder if that's a mental health condition in itself, not being depressed but being so worried about depression that you're basically depressed.) Anyway, the article is refreshing in that it's findings are basically It depends. Social media can augment in-person relationships, promote feelings of connection and support, allow people to express their identity -- I'll add creativity. Social media can also exacerbate maladaptive tendencies (I just learned that term) and work against mental wellbeing based on emotional contagion -- wow -- and social comparison. It can accentuate the differences between people who are doing well and those who aren't. Impacting self esteem probably. Anyhow, the article seems even-handed and a bit obvious, but in a good way. In a Oh, of course that's how it is way. It seems helpful to keep this in mind when I approach Instagram. Am I posting something that will benefit my audience -- I guess you could call them "friends" lol --? Will it spark conversation? Will it express my identity in a way that will help others know and connect to me? Or am I posting out of a sense of comparison. Look how good I am. Look how many friends I have. Look at how interesting and successful things over here are. Oof, the distinction isn't that easy to make now that I think of it. Put more generally, am I contributing to a nice social media environment? Can I make a habit of thinking in those terms instead of just focusing on how others might see me? It's an environment just like the physical environment. Am I fouling it up or not? 

MLog Time

**SPOILERS**

BIG TROUBLE IN LITTLE CHINA
1986
Directed by: John Carpenter
Written by: Gary Goldman, David Z. Weinstein
Adapted by: W.D. Richter
Watched: 3/11/2022
I like this description on Wikipedia: Kurt Russell as Jack Burton, a cocky, wise-cracking truck driver who gets involved in an ancient battle between Good and Evil when he makes a delivery to Chinatown, San Francisco. That’s pretty much the plot. Jack goes to Chinatown and gets embroiled in a street gang war. His friend Wang’s fiancé is stolen because she has green eyes. A white lady is involved in the scene, Gracie Law (a young Kim Cattrall!). She’s rescuing women from this gang, but she also has green eyes. The big bad is an ancient man with no skin who’s alive but doesn’t have physical form. He needs to marry and sacrifice a woman with green eyes in order to regain his body. He decides to marry both Gracie and Miao Yin (Wang’s fiancé), kill one and keep the other as his wife. Jack, Wang, a sorcerer who drives a tour bus, and the good street gang guys storm the bad guy’s fortress and end up being able to save everybody. In the end, Jack gets his truck back and drives away – not even kissing Gracie goodbye! 
This movie is pretty silly. Kurt Russell is great as always. Kim Cattrall is a stunner. The set design is awesome. There’s fun fighting all over the place. Goofy stunts galore. The music was good too. Something that biases me against this movie a little bit is how much I liked The Thing. I like comedy in movies, don’t get me wrong, but it felt like the comedy was too much. I know Carpenter can deliver something as riveting as The Thing, and this felt like a cop out in comparison. Like he was letting it slide. The tension wasn’t ratcheted up enough to earn the comedic moments for me. Still a good time, though. Worth the watch. 
Rating: ★★★

3.14.2022

March 14, 2022

I've been having a busy social time lately, especially compared to the last couple of COVID years. I go skating with a few women and I attend lyra classes where afterwards we talk/get a beer. I've been feeling uninteresting during these times, at a loss for what to talk about. At the same time, in settings like class at SMC, I've been consciously trying to go in low/easy. Listen more, be present in my body, pay attention to the people and dynamics around me before I jump to any course of action. Hang back, essentially. I've always done that, but in a shy/panicked way. My head's been too full of terror to let in information like, Oh that person's nervous. Or: those two seem to like each other. Or: that person seems smart and pleasant to be around. I'm wondering if that strategy is at all good within a small group of people, who already know each other, who are already friends. Should I be wracking my brain for questions in order to get a conversation going? Should I practice being okay with that silence -- not stress it, see if anything spools out? I'm ready to except a large number of small failures in other areas of my life -- I expect it. Is it okay to expect some failed conversations in this social context? Or is the risk there of tanking/losing those connections forever? Is that kind of failure, the awkward silence, the lull, the fear that I might not have anything interesting to say as a person in general, so painful that it must be avoided at all costs? Will it always be remembered and henceforth avoided? Worth experimenting with, probably. (But of course it's not like I design theses "experiments" with any kind of rigor. There are no controls, no isolated variables. The results I get are happenstance and vague at best. Plus of course it's as damaging to one's sense of reality to learn the wrong lesson as it is to persistently learn no lessons at all.) 

BLog Time! 

Hagen, Sofie – HAPPY FAT
Published: 2019
Read: 3/2022
I listened to Richard Herring interview Sofie Hagen in a retro RHLSTP. It was the first time I’d ever heard of Hagen, and I liked her enough that I got her book from the library. Happy Fat is a memoir/collection of essays on being fat and on fat liberation. I’ve read similar books to this – Shrill by Lindy West comes to mind, also Hunger by Roxane Gay – but I figured it would be okay for me to tread some old ground. This book had lots of explanatory footnotes for terms that people might not be familiar with. I appreciated that even though (or especially because) the tendency in a lot of these kinds of books is, I’ve done a whole lot of labor already (says the author) why don’t you just google whatever terms you don’t know. Fair enough. But it was also nice to just have Hagen explain it to me (or to confirm my understanding of whatever it was). 
I am not a fat woman, but I’ve been preoccupied with the idea of fatness since I was a child. I wrote a journal entry when I was a first grader complaining about how my tights made me look fat. (Also, I wore tights in first grade? Fancy.) When I look in the mirror, I have eagle eyes for it. Evidence of fat. Small swellings of fat. Reading Hagen’s book made me a little self conscious; I thought, well being thin is the only thing I have going for me aesthetically. If being thin doesn’t matter, then I’m ugly indeed. That’s not nice, or the intended message, I’m sure. I could always change other things up: clothes, hair, makeup. Get some foundation under these old eye bags. I’m not a fat woman, but the idea of fat acceptance still sunk in a bit. I did lyra on Sunday and it was too hot for the outfit that I was wearing so I did it in just my sports bra. I posted that video, because it was a good one, on Instagram. Is that anything, I wonder? I mean is it anything political, as it’s coming from not a fat woman? I’m also far from a model. It’s not a perfect or filtered body that I’m putting out on the internet. It feels to me just like a factual thing, kind of dull. Maybe to some extent, I’m meant to be in it instead of look at it, my body I mean. There are all these lenses through which we can see things. See bodies. Through the lens of a magazine, airbrushed being the expectation. Through the lens of a lover, a critic, a historian just looking for body counts. As a product of evolution. Through the lens of a scientist. Of a parent or sibling. There isn’t really a stand-alone lens of the self. How to view the body through the lens of the self. It’s as if we need to borrow another one, an outside one, in order to start looking. 
Rating: ★★★


3.08.2022

March 8, 2022

I'm in an acting class at SMC. Jerry Springer is mentioned in the script I'm working on with my scene partner. She told me that when she was in high school, her mom went on the Howard Stern show to beg for breast implants. It was embarrassing. All her classmates knew about it. Her mom went on TV for that shit. Amazing. 

MLog Time! 

HARVEY
1950
Directed by: Henry Koster
Written by: Mary Chase, Oscar Brodney
Watched: 3/1/22
Elwood P. Dowd (James Stewart) lives with his sister Veta (Josephine Hull) and niece, Myrtle Mae (Victoria Horne), who are trying to get him out of the house so they can entertain a group of society women. It’s Myrtle Mae’s time to be introduced into society and to try to find a husband, but the problem is that ever since Elwood and Veta’s mother died, Elwood has been walking around with an invisible six-foot 3 ½ in tall rabbit named Harvey. The ladies can’t afford to let people know that Elwood is nuts. It would ruin Myrtle Mae’s chances. Elwood goes to the same bar every day and orders drinks for himself and for Harvey. Elwood drinks constantly. Veta, at her wits end, tries to commit Elwood to a sanatorium, but when she tells the doctor about Elwood’s condition, she admits to sometimes seeing Harvey, and gets locked up herself. Trying to rectify this mistake, the staff at the sanatorium tries desperately to retrieve Elwood, but every time they do, they end up having a nice time and sort of forgetting what they were on about and getting drunk and believing in the rabbit themselves. Elwood explains that Harvey is a pooka, a kind of sprite from Celtic mythology bent on fun and mischief. The head doctor ends up fully believing in Harvey and wanting Harvey for a companion for himself. The other doctors are finally able to retrieve Elwood and offer to give him a serum called “Formula 977” which will stop him from seeing the rabbit. Veta wants them to do it. But at first she’s unable to find money to pay the cabby, so she has to stop the procedure to ask Elwood for cash. Then the cab driver says what wonderful passengers come to the sanatorium, but after the treatment they go away miserable. He warns Veta that Elwood will become "just a normal human being, and you know what stinkers they are." Veta stops the procedure. Veta, Myrtle Mae, Elwood, and Harvey walk together into the sunset. 
People fall in love along the way, facilitated by Elwood’s pleasant battishness. I watched this movie because John Green talked about it in the Anthropocene Review. When he was in his 20s, newly dumped, and having a mental breakdown, he had to move back in with his parents for a little while. His boss told him to take some time but that he didn’t have to quit. He left him a note that said, “Now, more than ever, watch Harvey.” A good quote: “In this world, Elwood, you must be oh-so-smart or -oh-so-pleasant. For years I was smart. I recommend pleasant. And you may quote me.” By the end, the movie seems to suggest – with Harvey opening doors on his own and such – that Harvey is real. While the beginning of the movie lines Harvey up, in my viewing, as a response to Elwood’s trauma of losing his mother. The drinking maybe is the actual trauma response and the rabbit real. The movie seems to suggest the benefits in letting things slide, in keeping it blurry, in not fighting so hard anymore. That premise reminds me of Another Round. It would be interesting to watch/discuss these two movies together. Harvey is way whimsical for my taste, generally, but I think that the actual darkness of life grounds it. And not dramatic darkness, just the everyday mundane hardships. The stuff grinding grinding you down. The loss of a parent, the most common thing in the world. The judgment of strangers. The pressure to perform. The toll of the whole thing and the desire – like the head doctor – to just lie under a tree and have a beautiful woman stroke your hair and say, “Poor dear… poor dear…” Yeah.
Rating: ★★★1/2

3.04.2022

March 4, 2022

I want to talk about the Aesop fable I heard on a recent Blindboy podcast episode at some point. But today, I'm going to just paste into here an email I sent to my book club (to which only two people have actually show up so far, ha). I liked it: 

Hello! 


In case it's of interest, I wanted to tell you a little bit about why I chose Villette for the next book club. Maybe I can sell you on giving it a shot. 

I first heard of Villette when I read How To Suppress Women's Writing (1983) by Joanna Russ. The relevant chapter, "She Only Wrote One Good Book," is available here. (As a side note, Russ's novelette We Who Are About To is *eye emoji* *eye emoji*.) 

An excerpt for TLDR: 
"I think it no accident that the myth of the isolated achievement so often promotes women writers’ less good work as their best work. For example, Jane Eyre exists, as of this writing, on the graduate reading list of the Department of English at the University of Washington. (This is the only PhD reading list to which I have access at the moment. I mention it not as a horrid example, but because it is respectable, substantial, and probably typical of first-rate institutions across this country.) Villette does not appear on the list. How could it? Jane Eyre is a love story and women ought to write love stories; Villette, “a book too subversive to be popular,” is described by Kate Millett as “one long meditation on a prison break.”"

Well, if Kate Millett likes it... eh? eh? 

Also, I liked the last book club book (The Argonauts) which includes stuff on Dodie Bellamy's The Buddhist, which I really liked. And I read an interview with Bellamy where she says, "Fans of the buddhist should read Charlotte Brontë’s Villette[....]"

So here we are. 

Happy reading, 

Amy


Okay, now BLog Time! 

Babitz, Eve – SEX AND RAGE 
Published: 1979
Read: 02/2022
This “novel” is about a woman named Jacaranda Levin, a stand-in for Eve, who’s a party girl and hangs around with a bunch of rich and stylish monsters. She calls this crew “the barge.” She realizes she’s an alcoholic. She’s off the barge. She gets a book deal. She gets sober. She goes to New York for a week. She comes out of it alive. Her main adversary is a man named Max, who she’s at first very close with and then very afraid of. I found it useful to be reading Hollywood’s Eve by Lili Anolik at the same time. She decodes some of the characters. Max is a man named Earl who put Eve off visual arts forever with the spare remark, “Is that the blue you’re using?”
I was disappointed in this book, especially compared to Eve’s Hollywood. I felt a sliding who cares.  Just read this New Yorker article by Jia Tolentino on it. And she drops some of the following really quite good quotes: “luck is like beauty or diamond earrings: people who have it cannot simply stay home.” “Along with the opium, champagne, brandy, and cocaine, Jacaranda and Etienne would clash by night, sometimes till dawn, when they’d walk along the dewy lawns (she never knew whether he owned or rented this paradise) towards the view and watch L.A. turn blush-pink, then yellow, then smog.”
        Tolentino here, with the quotes from Eve: She starts imagining that she and her new friends all live on a “drifting, opulent barge.” One night, she has fourteen of “some cocktail called a White Lady” and starts to feel like she might be doomed. “So many of the ones like her, the ones who were brought aboard to amuse the barge, disappeared,” Babitz writes. “They O.D.’d on Quaaludes or Tuinals or got hepatitis and had to retire forever, or they became like Marianne, a zombie girl she’d known, who would drop her purse in public and have to spend an hour finding the things and putting them back in.”
        And: Jacaranda imagines how Max sees her: “a rare enough thing—a native-born Angeleno grown up at the edge of America with her feet in the ocean and her head in the breaking waves.” She has a full bookcase, “no sense of ‘sin’ and no manners.” 
Her memoirs and essays are bettttter. 
Rating: ★★


3.02.2022

March 2, 2022

I'm still feeling a little out of it because of the wisdom teeth. I think I have a low-grade fever. A short scene, if Someone were to ask--

Someone: How are you feeling? 

Amy: Not too bad. I think I have a fever. 

End scene. 

Or alternatively: 

Amy: Not too bad. I want my mouth to be healed now. 

End scene. 

But my lower jaw is so slight and recessed in general that having this swelling makes me look genuinely cute. Like a different person, but still cute. 

MLOG Time! 
I'm behind on these, you'll see. 

DEATH ON THE NILE
2022
Directed by: Kenneth Branagh
Written by: Michael Green
Watched: 2/15/22
We start with a scene from Poirot’s past. He’s a soldier in WWI and he gallantly rescues his men by noticing the bird’s behavior – it means that the winds are calm. So the unit advances and overtakes the enemy in a situation where they otherwise would almost certainly die. However, a booby trap on a bridge is tripped and the explosion scars one side of Poirot’s face. It turns out this is why he wears such a giant mustache. He has a love, there to tend to him or to visit or something, who accepts him anyway, scar and all. Present day, Poirot is vacationing in Egypt where he meets his friend Bouc, who is on the honeymoon trip for Linnet (Gal Godot) and Simon. Poirot has seen Linnet before and we flash back to a night club, where Poirot orders one of every desert. He sees Simon there with Louise, Linnet’s cousin. Simon and Louise are engaged to be married, but Louise introduces Simon to Linnet (her very rich cousin) and the two hit it off. Now, Louise is following the honeymooning couple everywhere, and it’s stressing Linnet out. What’s more, Linnet doesn’t feel safe with any of the guests. While they’re in Egypt, someone dislodges a bolder from up above which nearly hits Linnet. Eventually, Louise shoots Simon in the leg. Louise is taken with the nurse and given sedatives. The doctor attends to Simon’s injuries. In the morning, Linnet is found dead, shot through the head. What else… oh the maid is found dead in the water, her throat cut. And Bouc is shot in the head while Poirot and Simon are questioning him. In the end, it’s revealed that Simon and Louise were in on it together. Louise shoots Simon with a blank. Simon acts injured. Left alone, he runs and shoots Linnet then runs back and shoots himself in the leg (for real) before the doctor gets to him. Simon was planning on inheriting Linnets money and running away with Louise. Oh shoot – and Louise’s actual name is Jackie. Louise is the maid. 
I thought this movie was okay. There were lots of CGI animal intercuts – like crocodiles eating fish and stuff – I think to try enhance the mood, but it didn’t really work for me. Also, I think I feel negatively about making Poirot a kind of romantic hero. In the books, as far as I’m aware, he keeps his huge mustache out of vanity. He’s a ridiculous figure and he’s also very dangerous. I don’t know, wouldn’t that also play for a movie? Both he and Miss Marple are more effective because people underestimate them and because they are outsiders. Why not let the audience underestimate them? Why not let us ask, we’re really watching a movie about this guy? Both he and Miss Marple are frivolous. Until they’re not. I like that about the books. It’s kind of the reoccurring thesis – shame on you for being so sure. So sure about Poirot, so sure about your aims that you’re willing to commit murder, so sure a woman can’t be a writer (okay, I’m filling in that last one). But maybe. Kenneth Branagh did BELFAST and that’s supposed to be good. But I don’t know, this movie was kind of a miss. 
Rating: ★★



3.01.2022

March 1, 2022

I got my wisdom teeth out this morning. I went under what they called "twilight" general anesthesia... or twilight local anesthesia? Twilight was in the name. Last night I was pretty worried about it. I've been under anesthesia before -- when I got my ACL surgery and when my broken arm was set before they cast it -- and I wasn't worried about it then. I think it was because I was younger and trusted the world and adults more than I do now. This time, I was just about as worried about the anesthesia as I was about the teeth extraction itself. 

I got my top two (non-impacted) wisdom teeth taken out the summer before college. I walked in and the dentist was like, "Hi, I'm Adam." Not Doctor Such-and-Such. Just Adam. He was young too. I only had local anesthesia that time, was wide awake. It took forever, and I swear they went in there with one of those clacky tools you use to crush crab legs. My lips hurt from being stretched so much, and the corners of my mouth got sores. It was not good. 

So I opted for the anesthesia for the bottom two. They're impacted, so I figured much worse. Plus the dentist recommended it. (I'm still a little loopy.) I really have lost my train of thought here. Here are some pictures: 





2.23.2022

February 23, 2022

I had the pleasure of hearing a song yesterday that was written specifically for me. It's Crush by Tessa Violet. 


These lyrics: 

you make it difficult to not overthink, and when I'm with you I turn all shades of pink

I want to touch you but don't want to be weird, it's such a rush I'm thinking wish you were here

and I'm just trying to play it cool now but that's not what I want to do now

and I'm not trying to be with you now

And: 

I fill my calendar with stuff I can do, maybe if I'm busy it could keep me from you

and I'm pretending you ain't been on my mind, but I took an interest in the things that you like

And: 

and yeah it's true that I'm a little bit intense right 

but can you blame me when you keep me on the fence like

and I been waiting hoping that you'd wanna text like (text like)

it's what I was born to do


I like this song because it makes me feel less bad about when this has happened to me. Maybe I'm just a person, after all! The song is so boppy and light, which is part of its irony and persuasive charm. Like the melody itself is playing it cool. We need a metal song about having a crush, a punishing howling vortex of confusion and need. I'll get right on that. 

 

2.22.2022

February 22, 2022

Here are some quotes from the New Yorker article on Dodie Bellamy that I liked:  

  • Taken as a whole, her books assume the shape of an exuberant, jagged mosaic of anecdotes, asides, riffs, and gossip, collectively telling the story of what Bellamy has called the “project of leading The Most Decadent Life Ever Lived By a Girl From Indiana.”
  • Bellamy, who left after ten years, now sees that she was drawn to the group by her deep hunger for connection. “I was dysfunctionally shy, a borderline agoraphobic, afraid to talk to salesladies in department stores,” she has written.
  • This chorus of Others is yet another way in which Bellamy insists on excess: she understands the self as a jostling horde of influences and intimacies, rather than as a coherent or singular entity.
  • In “Mina Harker,” she describes one of her lovers as “a blind noun fumbling about for a seeing-eye verb,” and another as a man with “armpits reeking of musk and meanness [who] decorated his apartment in a style that I could only call ‘boys dorm’ [and] cooked jambalaya with a prepackaged seasoning mix—but when he lay down on my back I felt so hollow, his arms looming on either side . . . his colossal heart pounding my rib cage like a drum.” It’s a character sketch with a distinct emotional arc: the razor-sharp dismissiveness about the lover’s taste ultimately punctured by the desperate satisfaction of their bodies moving together, the raw sentiment of his pounding heart against her rib cage. Her desire wrestles with her frantic cognitive machinery; the mind appraising and rejecting, the body still craving.

2.20.2022

February 20, 2022

In Colorado. Went to a family recreation center with my parents and my brother and his family. There was a big indoor pool and a water play place. I followed my nephews around. I was wearing my bikini, which is too old, I need a new one. It felt awkward to be wearing it around all those kids and judgmental and/or zonked-out parents. It's the only suit I have right now, though. We did the slide, the lazy river, the hot tub. I was the first to go back to the locker rooms to shower and change. I walked right through one of those doors that says "Do not open, alarm will sound." The alarm sounded (then I read the warning sign). I turned around and told the lifeguard, "Sorry, I opened it." Everything was fine. The only notable thing here is that it's the first time I've ever set off an alarm like that. If I had done it when I was younger, the shame would have killed me. I was even a little surprised that I took it so nonchalantly, today. 

My dad likes telling me about hugely gruesome things that have happened (or supposedly happened). A lot of them include violence towards women or women being terrible. I could be reading into it as a pattern. I'm not averse to gruesome things, but there's something about having my dad tell me about it that makes it not fun at all. This time it was about a man in their Sunday school class who's schizophrenic. He's fine actually as long as he takes his medication, and he takes his medication. No, my dad wanted to tell me about a guy who used to be in their Sunday school class back when it was a singles group. He was this big guy and violent. They were all at a retreat once, and one of the other guys in the group noted that they needed to physically restrain this guy. They called the cops, and in the meantime, my dad was one of four men who were going to do the restraining. "If I see one person turn around, I'm running." My dad told the group. He was sure it was going to take all four of them, and he didn't want to be a part of it otherwise. 

"He murdered his wife," my dad said. 

"Cut out her ovaries," my mom added. And I mean it when I say, "added." She said it like it was just an addition. 

"We found out about it on the news," my dad said. "It was only a matter of time before he killed someone, we thought." 

2.19.2022

February 19, 2022

I'm at the Estes Park YMCA campgrounds with my family. (Cabins, not tent camping.) It's awesome but cold. I feel nuts for leaving Los Angeles in February. I slept terribly last night. Top bunk. My husband stayed home this trip. I was fretting about Instagram, about feeling like I had been an abnoxious jerk to my family, about death. Death. You know, death? I'm worried that I pack my schedule so full of things: two SMC classes, two basketball leagues, a gymnastic class, a lyra class, a screenplay rewrite and a new co-written screenplay. I want to stave off unwanted thoughts and anxieties, but even with a super packed schedule, there are always moments in between for the thoughts to creep in. I can't keep myself fully engaged in something else for 100% of the time. I tried meditating once, a guided meditation for 15 minutes, and I was so bad at it that it made my anxiety worse the rest of the day. There's really something wrong with me, I thought. 

My mom told me a story I liked. She's a leader for the little kids at Bible Study Fellowship. These are mostly homeschooled kids, so they aren't the most socialized. My mom and a co-teacher split duties teaching the lesson, planning a craft, facilitating a game, etc. They always have a short rest time where everyone lies down on their towels. They tell the kids to Be still and know that I am God. The kids are supposed to be still. There's a boy named Easton who will lie on his towel flat on his stomach. He'll grab the front ends of the towel and very slowly inch worm his way across the room. Very slowly. "Easton, be still and know that I am God." He looks up innocently. You could hardly call what he's doing moving, he thinks. So my mom lies down on a towel next to him. She puts her foot on the back of Easton's towel. Easton tries to inch his way across the floor, but realizes he's not going anywhere. He looks at my mom who's lying nearby, her foot on his towel. She just looks back at him. 

Blog Time! 

Bellamy, Dodie – THE BUDDHIST
Published: 2011
Read: 2/2022
I read about this book in Maggie Nelson’s The Argonauts. It’s a collected series of blog posts by Bellamy, an experimental poet who’s writing prose in this instance, about a protracted break up with a man she calls the Buddhist. He is a professional Buddhist in that he leads all these spiritual retreats. The two were emailing incessantly. Bellamy is married to Kevin. “I suppose my situation is reversed at the moment—carefree marriage, bad affair.” It turns out the Buddhist is also kind of married. The two get very close and then as it comes time to meet in person, to get closer, he withdraws. “It’s confusing to encounter people whose love is complex, a doling out and then withholding, an obsession with control. People who cause you so much pain that eventually it doesn’t matter if they love you or not, you just want the pain to go away.” And “My therapist says he’s seen, over and over, the pattern of a depressed guy pulling someone in there with him, and once that person is hooked, he withdraws.” It’s 20% through the book – I can see the progress on my kindle – and Bellamy is talking about how she’s finally at peace. She’s finally over him. This will be the last she talks about him. Incredible. Relatable. “[…] and there it was again, the unshakable longing that I keep thinking I’ve shaken […]” More quotes that I related to: 
“Because this is what I do—whether I want them or not, I push things as faar as they’ll go.” 
“You know how it is—someone enters your life and you feel reborn. All your loneliness is suddenly gone, loneliness is this thing on the distant horizon, loneliness will never approach you again.” I do know how it is. 
“[…] that all relationships are about finding the right distance.” 
“I’ve always loved with an unguardedness.” 
“[…] how I was so focused inwardly on raging emotions and thoughts of him, the world felt insubstantial.” 
I don’t totally see myself in this next quote, but I still like it: “But I did love Plath, and I did address raw emotion in my poetry, I was embarrassingly nonfragmented and direct, and, yes, my work was considered stupid and my eyeliner was too heavy and I talked too loud and whenever the opportunity presented itself I was always eager to fuck. I was a bad experimental feminist.” There’s something in the book about not being how you are “supposed” to be and yet disagreeing with the rules of society. But of course, the Buddhist – the person your connected to by that bright beam of attention – might not think like you. He may, he probably will, go along with society. And how to get people by and large to come on board? You probably can’t. 
I’ve had crushes like this, although probably not so bad. Not so bad in that I don’t know that I’ve had a crush like this who I’ve also gone in real real deep with. But it was useful to read because I was feeling like a freak. To be married, to keep having crushes. To feel out of control longing and loneliness and desire. To feel like I must be bad in someway. Defected. But here’s a very talented writer with a husband and a strong community of friends, an engaging life, who also feels this way. And she was in her 50s when she wrote this to boot. I’ve never read anything like this. Nothing close to this, and it was electric to feel myself in the pages. To feel both like things are not going to be okay – life is relentless and people are… tough. You can’t just get them to do what you want. You can’t necessarily even help them get out of their own way. – but also things will be okay in that I’m not the only one going through this. That the shame heaped on top of the pain of an experience like that could may be a little less. 
She also talks about “masterpiece” writing requiring months and years of sustained effort and discriminating judgement. That seems about right, minus maybe the masterpiece part. In my acting class, the professor told us that talent is in the choices we make. That’s the discriminating judgement. The ideas, the choices. The rest is work. 
Last thing: “Anyone would love me. Why won’t you.” And “All my klieg lights are turned on you. The miracle of you.” 
Rating: ★★★★1/2 
 

2.17.2022

February 17, 2022

I'm at LAX heading to Colorado to spend the weekend with my family. Something I think about is all the random people around. How I'll likely never see them again. How there are so many people in the world, and how any of them, if I got some time with them, might be very important to me. Everyone comes to the present moment (in the airport) with their lifetimes of memories and educations and books read and hearts broken and things to be ashamed of. Think of the psychic weight of all that. I wonder what the odds are of someone in this terminal having committed a murder. How many people are happy? How many have had a divorce or a knee replacement? How many people like ham? There's a crazy amount of human experience, but I don't dare tap into even a little bit of it because I might end up with one of those people who talks and talks at me. One of those people who can't connect and who pick the boring parts, the untrue parts, of their personality to share at large. Plus, I want to read. 

2.16.2022

February 16, 2022

I've been reading The Buddhist by Dodie Bellamy; -- stay tuned for a BLog on that once I've finished; -- (who knows how to punctuate that?) it's a collection of blog posts Bellamy had written while going through a breakup with a man she called "The Buddhist." She's married, and this is her affair (although her husband knows and supports her in it). It's not a good relationship, and she knows that and it's hurting her, but she's struggling to let go. She's going through that process of longing after the thing has already spoiled. I relate hard. I think people are like a sack of very precious jelly beans. Somebody lets you in their sack, lets you eat a jelly bean, and it's the best thing you've ever tasted. You have another: mmm, the best. As you go on, the flavors get more complex. There are some bitter and sour ones, some bland ones. Then sometimes, at some point, you get a really bad one. It breaks your heart. But maybe a good tasting one comes after that. Sometimes it doesn't. Sometimes there seem to be only bad tasting ones left. And sometimes you get one that you're pretty sure is just feces. But it's hard to stop eating because you know that you ate a jelly bean from this sack that was the best tasting thing in the world, and there's still a chance that the next one you eat might be one of those. In my case, and in Bellamy's case, and maybe in many people's cases, I have to eat a whole lot of black pepper/puke/turd/smog flavored jelly beans before I want to stop eating. And then even once I want to stop eating, I eat some more. And then finally finally, after my fourth toe fungus one, my body is like Okay, no more of that. And I step away from the bag. Even still, years later, I'll probably think back to it and remember the best tasting ones, the little voice in my head saying, "but remember how you also ate literal shit." 

BLog Time! 

Nelson, Maggie – THE ARGONAUTS 
Published: 2015
Read: 02/2022
Okay, so this book is short and all over the place. It’s memoir, essays, theory, and honestly some other stuff. I am thinking of rereading it. It’s a lot about Nelson’s relationship with her partner. At first she doesn’t know their pronouns and is worried about asking. Later, her partner undergoes testosterone therapy and a mastectomy. She and her partner talk about language, whether it cheapens everything it touches. Nelson talks about a book by Dodie Bellamy called The Buddhist, which I’m reading now. It’s making me kind of forget/confuse the two. 
I really liked this book. It’s visceral. There’s ass fucking right there between discussions about art. The prose is tripping over itself – it keeps coming – and lyrical. I’m reading a lot of stuff right now that’s less constrained and more full of everything. I’m liking it a lot. 
Rating:  ★★★★

2.15.2022

February 15, 2022

Man, I need to be doing this more regularly in order to keep on top of all the things. I know that one of the things I wanted to say was about social media, by which I mean Instagram. I had taken a few photos of favorite passages out of Eve's Hollywood, and I posted them as IG stories. There's this one person I've been trying to impress, lately, so by-and-large those photos were for them. But even still, even if it's to show everyone who follows me, it felt too cheap, and I took them down. I think it was in Maggie Nelson's Argonauts where she talks about talking with her partner about language. Her partner thinks that language denatures things, always. Every time. That you can't write something, express something in words, without cheapening it. I can see what they're saying, although I'm not sure that I agree. Maybe good writing, the best writing, can capture something of the real thing without cheapening it. But of course, writing does simplify, distill, flatten. Or it tends to, at least. But how much more does social media do that? Or am I just being a snob? Maybe social media is an art form. Why wouldn't it be? It's just new and democratic, so it doesn't feel elevated. Does art have to be elevated? Anyway, going under the assumption that Instagram cheapens and flattens the experiences it represents, what should I put on it? Back up. Cheapens, flattens, but also, of course, highlights. It puts out into the public sphere something I want to represent. To call attention to. To have people associate with me. Anyway, what I decided was that really good moments, things that really matter, are best held in close to the vest. As soon as they're represented on my IG page or stories, they become something I'm showing off? I'm representing. They become not the real thing and upstage the real thing (in my brain at least). But there's plenty of stuff that otherwise goes overlooked -- like a bunch of pennies on the ground or a palm frond in front of a microsoft-blue sky -- that posting on IG can actually elevate a bit. Or maybe at least highlight. While also telling everyone on there, Hey look, I look at things. 

MLog time. 

**SPOILERS**

 THE BROOD
1979
Directed by: David Cronenberg
Written by: David Cronenberg
Watched: 2/7/22
Frank is concerned when he goes to visit the mountain psychiatric institute where his wife is receiving treatment. He watches a demonstration where Hal, the psychiatrist, role plays as a patient’s father, telling him to go through the rage. The patient’s skin breaks out in boils, a physical representation of the festering going on inside of him. It seems to bring him release. Frank takes his daughter home – she stays at the institute one weekend a month in order to see her mother – and finds that she has bruises on her back. It looks like the mother has beaten her. Frank is stonewalled when he tries to figure out what happened. He doesn’t want to send him daughter back to the institute, but he doesn’t have the legal right to keep her away. He plans on suing the institute and starts trying to talk to people who have received treatment there in the past. His daughter goes to stay with his wife’s mother, a woman his wife wouldn’t let her see as we learn that she used to beat Frank’s wife (Nola) as a child. While the daughter, Candice, is at her grandmother’s house, a small figure breaks in and murders the grandmother. Frank meets a man who believes his treatment at the institute caused his thyroid cancer, which is a huge exterior tumor on his neck. Hal has a session with Nola where he pretends to be her father. Shortly afterwards, Nola’s real father is murdered by one of the small figures. Hal, realizing something’s going on, sends home all the patients except for Nola. Frank has Candice’s school teacher over for dinner one night. Candice misses having a mother-figure around. Nola calls that house while Frank is out, and the school teacher answers. Nola is enraged. A later day at school, two “children” show up in class and murder the school teacher. They also take Candice. Oh, earlier, one of these “children” dies – sort of runs out of gas – and doctors are able to examine it. Very deformed, the weirdest thing about the child is that it has no belly button. Anyway, one of the needier patients contacts Frank and tells him that Nola has all these children at the institute. Frank goes up there, to find Candice. Hal explains that the children are all a product of Nola’s rage. They’re docile as long as Nola’s docile. They kill when Nola’s angry. Candice is with these children, and if Nola gets angry they’ll kill her. Frank goes in to talk to Nola, trying to keep her calm. Nola reveals that she has this exterior egg sack thing, and she gives bloody birth to a rage baby right in front of him. (When the baby is out she licks it with her tongue like an animal.) Frank can’t hide his disgust, and Nola notices. She flies into a rage, right when Hal has Candice in his arms and is trying to remove her from the children’s dormitory. The children kill Hal and are about to kill Candice, when Frank kills Nola. The children drop. 
Whew, that summary went on for a while. It feels like a fairly straightforward movie, so I’m surprised there’s so much to say, summary-wise. I liked this movie but didn’t love it. Samantha Egger who plays Nola did a wonderful job in that reveal scene. She looked transcendent and insane. Wikipedia talks about how Cronenberg wrote this after his acrimonious divorce and custody battle. It might be why Frank comes across to me as a little flat. He loves his daughter. He wants to protect her. He’s long suffering under his wife, who married him for his sanity, he says, hoping it would rub off on her. You could see how someone in a custody battle would think he alone is the sane one. That he has all the sanity and rationality. Unfortunately, it makes for a slightly dull character. I like how the movie plays so hard into emotions – emotions are the whole thing, really, the whole horror – while also having creepy children that are going around killing people. The horror here is maybe a lack of control. Frank can’t protect his daughter. Nola and the other patients can’t control their emotions. We reach adulthood in this soupy primal world with little impotent brains recommending rationality. Meanwhile our emotions and our bodies (which include our brains, really) conspire against us. We’re at the mercy of one another and people are popping off all over the place. 
Rating: ★★★